Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-52
Main text
Main text
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 20

 

 

 

 

In AE, the crescendo hairpin ends just before the last semiquaver in the R.H. However, there is a second hairpin written in pencil in this place, dragged beyond the double bar line until the 1st beat in the second volta. It can be considered a graphic clarification of the original crescendo, now encompassing also the last note in the R.H. In the edited version of AE, we suggest extending the dynamic hairpin to the end of the first volta. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY