Page: 
Source: 
p. 2, b. 23-52
p. 1, b. 1-22
p. 2, b. 23-52
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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Graphic ambiguousness
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Pitch
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Slurs
Articulation, Accents, Hairpins
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 34-35

At the beginning of the bar, in the majority of the autographs and in CC there is a d2. The remaining sources, AK and F, include an f1-d2, sixth; in F, it is combined with the sixth from the previous bar with slurs. In the majority of the sources, the bar is based on a doubly dotted rhythm (with a semiquaver on the last beat); it is only in CC and FC where it is a dotted rhythm with a quaver.
In CY, the copyist overlooked the second dot next to the crotchet of the dotted rhythm; however, the last value is a semiquaver; therefore, in the edition we suggest a doubly dotted crotchet. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues:

notation: Pitch

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY