mUltimate Chopin

WN 55, Waltz in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 1-32
p. 1
p. 2
p. 3, b. 1-32
p. 4, b. 33-52
PE - First Polish edition
Main text
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF PE - First Polish edition

  b. 7-8

 

 

 

In F, the lowest voice in the L.H. descends until B1. The stylistic authenticity of such a solution is questionable - it is continued neither in the next phrase nor in the further course of the piece. Enhancing or lowering the bass line was one of Fontana's most frequent interferences in the works by Chopin he edited.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues:

notation: Pitch

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY
Complete ➔