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b. 8

composition: WN 55, Waltz in F minor

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In CC, there is no natural next to e1 - it is one of a few mistakes-oversights of the copyist in that source.

category imprint: Differences between sources; Editorial revisions

b. 9

composition: WN 55, Waltz in F minor

 
 
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In the sources, we encounter two variants of the L.H. differing in the register and the rhythmic value of the a note on the 1st beat: it appears either as a dotted minim in the small octave in AO, AR, AK, F or as a crotchet in the great octave in AE, AG and CC. We consider the version of CX with the a-efifth on the 2nd and 3rd beats to be a patent mistake of the copyist and we add a cfor a full A major triad. 

category imprint: Differences between sources

b. 9

composition: WN 55, Waltz in F minor

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We add a cautionary flat next to e- like in AG (→CY).

category imprint: Differences between sources; Editorial revisions

b. 9

composition: WN 55, Waltz in F minor

..

We add a cautionary flat next to e1.

category imprint: Editorial revisions

b. 11

composition: WN 55, Waltz in F minor

 
 
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The variant of CC with an eas the last quaver most probably results from inaccuracy of copying; its authenticity is questionable. The remaining sources feature an fin this place.

category imprint: Differences between sources