AO
compare
b. 7-8
In F, the lowest voice in the L.H. descends until B1. The stylistic authenticity of such a solution is questionable - it is continued neither in the next phrase nor in the further course of the piece. Enhancing or lowering the bass line was one of Fontana's most frequent interferences in the works by Chopin he edited.
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category imprint: Interpretations within context; Differences between sources
notation: Pitch