Page: 
Source: 
p. 2, b. 18-31
p. 1, b. 1-17
p. 2, b. 18-31
p. 3, b. 32-42
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 28

No marking in A

 in GE (→FE,EE,IE)

[] suggested by the editors

We consider the missing  mark in A an inaccuracy of notation; in the main text we suggest a relevant addition. At the same time, we take into consideration the harmonic change on the 6th quaver in the bar – g1 moves to f1. A pedal release was also indicated in GE (→FE,EE,IE), yet the sign was put later, before or under the 7th quaver in the bar, which hampers the clarity of the harmonic change. The fact that Chopin almost certainly did not want such a long pedal is indirectly proved by the rhythmic value of the c minim at the beginning of the bar – in A Chopin most probably removed the dot prolonging this note, which means that he wanted to avoid a direct link between this c note and b on the 7th quaver.  

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues: GE revisions

notation: Pedalling

Missing markers on sources: A, GE1, IE1, FE1, EE1, EE2