Fingering
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b. 1-4
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composition: (Op. 4), Sonata in C minor, Mvt III
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In EE the Sonata was edited by Brinley Richards; among others, he developed the fingering. We do not include his fingering version in the main text, as it is obviously inauthentic, while in the EE transcriptions we reproduce it using a smaller font in italics, reserved for fingering digits added by editors. In some places, e.g. in bar 12 or 22, the fingering was complemented or changed in EE2. On each page of the transcription, the notes concerning this fingering version can be found by selecting the "Fingering" tab from the "Notation" list. category imprint: Differences between sources issues: EE revisions |
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b. 5-8
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composition: (Op. 4), Sonata in C minor, Mvt III
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In the main text we omit the inauthentic R.H. fingering added by EE in bars 5-8 (R.H.) and in bar 6 (L.H.). category imprint: Differences between sources issues: EE revisions |
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b. 9-11
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composition: (Op. 4), Sonata in C minor, Mvt III
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In the main text we omit the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 12
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composition: (Op. 4), Sonata in C minor, Mvt III
category imprint: Differences between sources issues: EE revisions |
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b. 13-15
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composition: (Op. 4), Sonata in C minor, Mvt III
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In the main text we omit the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
