Page: 
Source: 
p. 3, b. 49-80
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-80
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 80

No indication in A (→GEFE,EE,IE)

Da Capo suggested by the editors

The need to repeat the main section of the Minuet results from the generally adopted form of this dance. The fact that Chopin did not want to deviate from this rule is proven by the titles of both sections – Menuetto and Trio. Upon the return of the main section, it was also common not to take into account the repeat signs marked therein.

Compare the passage in the sources»

category imprint: Editorial revisions

issues: Unmarked Da Capo

notation: Shorthand & other

Missing markers on sources: A, GE1, FE1, EE1, EE2, IE1