Pitch
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b. 5-6
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composition: (Op. 4), Sonata in C minor, Mvt II
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In A Chopin wrote accidentals only to the octaves' top notes. In addition, in bar 6 he omitted the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 8-10
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composition: (Op. 4), Sonata in C minor, Mvt II
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In bars 9-10 EE1 printed the text of bars 8-9 for the L.H. part, devoid of the majority of performance markings (except the category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 14-15
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composition: (Op. 4), Sonata in C minor, Mvt II
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In A the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 24
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composition: (Op. 4), Sonata in C minor, Mvt II
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In A the only category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 25
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composition: (Op. 4), Sonata in C minor, Mvt II
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In EE1 we can see here a bass clef, with a respective key signature, in spite of the prior change to a treble clef. The mistake was corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
to the topmost note of the 1st chord (a1). The patent inaccuracies were corrected in 
in bar 10). The mistake is serious enough to hamper the reconstruction of the correct text, hence we do not provide the content transcription here. 
1-B