mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 125-142
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link Main text

  b. 133-134

As in previous bars, in A Chopin left out all necessary accidentals to the top notes of the even quavers – the naturals to a2 and e3 and the sharps to f3 (both), e3 and d3. He did not write the  raising c2 to c2 on the 7th quaver in bar 134 either. All these patent inaccuracies were corrected in GE (→FE,EE,IE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, GE revisions, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2
Complete ➔