Page: 
Source: 
p. 6, b. 104-124
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 113-114

 in A (→GEIE)

Various  in A, different interpretation

Longer  in FE & EE

In A the range of the  hairpin in bar 114 is unclear – it starts from the 5th R.H. part quaver or from the syncopated L.H. minim. The comparison with the similarly structured preceding bar supports the latter, which we adopt to the main text. This is how it was reproduced, more or less, in GE (→IE) as well. The prolonged marks in FE and EE resulted from a routine approach of the engravers of these editions.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions, Scope of dynamic hairpins, FE revisions, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2