mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 10, b. 184-206
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 194

Starting from the 2nd crotchet in the bar Chopin used a shorthand form of notation to write the L.H. octaves – top notes only with the words con 8 - - -. In GE (→FE,EE,IE) the octaves were written in full.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Abbreviated octaves' notation

notation: Shorthand & other

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2
Complete ➔