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p. 8, b. 143-162
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
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EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 161

Quaver in A

Minim in GE (→FE,EE,IE)

The extension of the c quaver introduced by GE (→FE,EE,IE) seems logical if we take into account the notation of similar figures in bars 159-165, in particular these strictly analogous at the beginning of bar 163 and 165. Therefore, one could assume Chopin's oversight if it were not for the visible traces of removal of an element of notation in A, corresponding to the additional c minim. Therefore, in the main text we keep the A notation, probably intended by Chopin.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A, GE revisions

notation: Rhythm

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2