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p. 12, b. 228-248
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 236

c1 in chord in A

No c1 in GE (→FE,EE,IE)

Looking at the notation of the 2nd L.H. crotchet in A, one can have doubts whether it contains the c1 note, as one cannot see there a round notehead thereof, similar to g or d1. Its presence is proven by the fact that this crotchet's stem is clearly thicker, which is sometimes the only graphic element indicating the existence of a note on a ledger line in Chopin's autographs – cf., e.g. c1 at the beginning of the next bar, as well as some c3 and c4 in bars 231-235. The final assessment of such situations largely depends on the context, which in this place clearly supports the presence of c1 – this crotchet continues the sound plane initiated by the minim chords from the three previous bars, out of which each includes c1.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE, Uncertain notes on ledger lines, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2