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p. 12, b. 228-248
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 228

d2 & d2 in sources

d2 & d2 suggested by the editors

The version of the sources, in which both the second and the last quaver feature d2 (without any accidental), is almost certainly due to Chopin's oversight, who, after writing a  lowering d2 to d2 at the end of the preceding bar, did not notice that he should have repeated it only just 2 quavers farther on. This assumption is confirmed by an analogous sequence in bar 68, which includes a respective . Taking into account the above, in the main text we add a  in the discussed place, as well as a , necessary in this case, restoring d2 at the end of the bar.  

Compare the passage in the sources»

category imprint: Editorial revisions

issues: Omissions to cancel alteration, Omission of current key accidentals, Errors of A

notation: Pitch

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2