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p. 8, b. 143-162
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 155

  in A, possible interpretation

 in GE (→FE,EE,IE)

When interpreted literally, the A dynamic markings seem contradictory –  is already under the 2nd crotchet in the bar, hence there is no point of reference for . In the content transcription of A (version "edited text") we relate  to the L.H. minim, which can be considered a suggestion for independent dynamics in the parts of both hands in the following bars.
However, we believe that the most convincing, both in terms of sources and music, explanation of the A notation is the following:  is the initial version, left by inattention after having introduced later markings, that is  and . We provide the resulting version, compliant with the GE text (→FE,EE,IE), in the main text.

See b. 179

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category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Corrections in A, Errors resulting from corrections, GE revisions

notation: Verbal indications

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2