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p. 4, b. 63-81
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 66

In A the augmentation dot to g1 in the bottom R.H. voice is missing. It must be Chopin's oversight, corrected in GE (→FE,EE,IE). Although it is not the only way of complementing the bottom voice rhythm – Chopin could have, for example, planned to repeat this note on the last quaver in the bar – we provide this version in the main text, as it is easier to imagine an overlooked augmentation dot than an overlooked quaver, while the figure present in this bar was also used in bar 102 and 104.
See also bar 226.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, Errors of A

notation: Rhythm

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2