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Source: 
p. 3, b. 43-62
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 50

d1-d2 octave in sources

Octave & third suggested by the editors

The comparison with analogous bar 210 suggests that the absence of the e1-g1 minim filling the first octave is due to Chopin's oversight. However, it is not obvious, since in A one can see here traces of erasures corresponding to such a minim. However, according to us, it does not have to mean that Chopin wanted to have here a d1-doctave without harmonic filling. It could be that the correction concerned an erroneous or an illegible version of notation that was then to be filled with the aforementioned third; on the other hand, it cannot be excluded that Chopin considered using a different version of the middle voice. Anyway, an unfinished correction seems more likely than a bare octave, which would be against the clear textural plan of the last eight bars. Taking into account the above, in the main text we provide the unquestionable version of bar 210. 

Compare the passage in the sources»

category imprint: Editorial revisions

issues: Corrections in A, Errors resulting from corrections

notation: Pitch

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2