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p. 10, b. 184-206
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 186

In A one can see an erased B note at the beginning of the bar, which means that this L.H. part detail being different in the exposition and the recapitulation – C-c octave in bar 8, but a single B1 note in bar 186 – was not due to distraction. Chopin most probably took into account the different form of the R.H. chord, which could have also been corrected, e.g. by adding one of the bottom notes, d or f.

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

notation: Pitch

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2