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p. 5, b. 82-103
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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GE - German edition
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FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 96

As Chopin wrote the top voice quavers first, there was no space left for the minim prolonging the sound of the first one. He wrote it only under c2, as the natural and the notehead of the b1 quaver made it impossible to place it closer to the 1st quaver. This misleading notation, suggesting that a1 should be played again with the c2 quaver, was repeated this way by all editions.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Interpretations within context

issues: Inaccuracies in A, Errors repeated in GE, Errors repeated in FE, Errors repeated in EE, Errors repeated in IE

notation: Rhythm

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2