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b. 248
In A one can see traces of removal (erasure) of the slurs combining each of the grace notes with the respective main notes. Perhaps Chopin did not want to suggest an unisono performance of this bar (with tenth leaps in both hands), as he allowed for the possibility of playing the e-e1 octave with the R.H., while the C-c one with the L.H.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A
notation: Slurs