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p. 12, b. 199-224
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 214

Arpeggio sign in A (→GE) & FE (→EE1)

Arpeggio sign and slur in EE2

The arpeggio to the 3rd chord in A is in the form of a vertical slur (which is typical of Chopin's later notation). This is how it was reproduced in FE (→EE), whereas in GE a standard wavy line was used. In EE2, to the slur adopted from FE, the meaning of which was apparently unknown, the wavy line from GE1 was added. Therefore, in the EE2 version we reproduce, by way of exception, both signs literally (cf. General Editorial Principles, p. 5a).

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Ornaments

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2