mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 12, b. 199-224
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 206

in A (→GE) & EE2

No marking in FE (→EE1)

Chopin added  to A most probably – as was the case with sempre legato – after [FC] had been finished, although in the case of a single, inconspicuous mark an oversight, e.g. by the copyist, cannot be ruled out. In EE2 the mark was added after comparing it with GE1. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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