Page: 
Source: 
p. 11, b. 179-198
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 197

The notation of this bar, obvious in terms of sound, is inaccurate in some sources. In A two flats in the 2nd half of the bar are missing, to g1 and g (the latter is necessary, since in the manuscript, as well as in FE and GE, the first L.H. octave is written in the treble clef). GE corrected both inaccuracies, while FE added only the latter accidental. EE added a  to g1 and shifted the return of the bass clef, as in our main text, which eliminated the need to repeat a  to g.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, FE revisions, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2