Page: 
Source: 
p. 11, b. 179-198
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 180-187

Between bars 180-181, 182-183 and analog., in addition to four necessary ties, FE includes a fifth one, at the pitch of b. This is a routine revision (in similar contexts ties are often overlooked), yet in this case it must be erroneous – in bar 180 and 184 there is no b note to which this tie could apply, whereas in bars 182-183 and 186-187 tying b would deprive the motif of its last note. In EE the ties were reproduced inaccurately – the tie in bars 184-185 was overlooked, whereas the one in bars 180-181 was provided with the form of a slur, combining c1-b.
Interestingly, in bars 182-183 this kind of superfluous tie is also in A (→GE), most probably entered by mistake.

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category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, Errors in EE, Errors of A, FE revisions

notation: Rhythm, Slurs

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2