mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 18, b. 316-332
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 330

Dashes to crotchet in A

Dashes to rest in FE (→EE)

Dashes to end of bar in GE

In all editions the dashes marking the range of dim. were led farther than the ones in A (by Chopin). In the case of FE (→EE) the difference is marginal, but in GE the range of diminuendo was extended to the end of the bar. In this context it is of no practical relevance, yet it reveals a certain tendency of the engraver of GE – cf. bars 306-310.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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