Page: 
Source: 
p. 8, b. 127-147
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 147

No sign (d1) in A

Flat (d1) in GE

Natural (d1) in FE (→EE)

In the main text we give the A version with d1 as the 2nd quaver of the 2nd triplet, along with the cautionary  added by GE. The natural added by FE (→EE) is almost certainly an erroneous revision, probably introduced in the belief that it is a cautionary accidental after d2(4) at the beginning of the bar, on a similar basis as the Chopinesque  to f1, which seems to be reminding that the  to f2 is no longer valid (actually, Chopin certainly did not warn us of f, which does not fit here at all, but of f, which is likely here – cf. d in bars 224-226 and a in bars 314-315).

See also the next bar.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, FE revisions

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2