Page: 
Source: 
p. 13, b. 225-240
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 234-235

Slur to b. 235 in A, contextual interpretation

No slur in GE & EE2

Slur in b. 234 in FE (→EE1)

In A the slur in bar 234, last on a page, clearly suggests that it should be continued, yet there is no ending thereof on the following page. The fact that Chopin indeed wanted to lead the slur to the beginning of bar 235 is confirmed by the slur (consistent in all sources) in analogous bars 154-155. The FE slur (→EE1) suggests that Fontana did not lead the slur to bar 235 in [FC]. In EE2 the slur was deleted, most probably after the GE version, in which the A slur was overlooked.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccurate slurs in A, Errors in GE, Uncertain slur continuation

notation: Slurs

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2