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p. 16, b. 272-293
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 277

Long accent in A & GE2

Long accent suggested by the editors

No mark in GE1

Short accent in FE

2 short accents in EE

In A the long accent is placed over the R.H. chord, which, however, certainly does not mean that it concerns the R.H. part only. Therefore, in the main text we move it between the staves, in accordance with the Chopinesque notation of analogous bar 110. The reviser of EE was most probably motivated by a similar idea when adding another accent under the L.H. part. The use of a short accent in FE (→EE) is an inaccuracy, frequent in Chopinesque editions. The absence of the mark in GE1 must be a mistake by the engraver, rectified in GE2 after A

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category imprint: Differences between sources; Editorial revisions

issues: Long accents, EE revisions, Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2