mUltimate Chopin

Page:

Source:

p. 7, b. 106-126

p. 1, b. 1-20

p. 2, b. 21-42

p. 3, b. 43-60

p. 4, b. 61-75

p. 5, b. 76-90

p. 6, b. 91-105

p. 7, b. 106-126

p. 8, b. 127-147

p. 9, b. 148-163

p. 10, b. 164-178

p. 11, b. 179-198

p. 12, b. 199-224

p. 13, b. 225-240

p. 14, b. 241-255

p. 15, b. 256-271

p. 16, b. 272-293

p. 17, b. 294-315

p. 18, b. 316-332

Main text

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Select notes:

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Category

Notation

Differences

No differences

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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b. 123-126

Long accents in A (→GE)

Short accents in FE (→EE)

The short accents of FE most probably resulted from A having been inaccurately reproduced, which could have been attributed to both Fontana in [FC] and the engraver of FE – cf., e.g. the versions of the autograph and Fontana's copy and the end result in FE in the Prelude in G minor, Op. 28 No. 12, bars 37-38.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, Inaccuracies in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2

Complete ➔

Op. 49, Fantaisie in F minor