Page: 
Source: 
p. 6, b. 91-105
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Important
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  b. 94-95

Slur to g1 in b. 94 in A & FE (→EE)

Slur to g1 in b. 95 in GE

In A the slur encompasses bars 93-94; although its ending reaches beyond the last note in bar 94, nothing suggests that it should be led to the next bar (the beginning of the slur precedes the 1st octave in bar 93 by about the same gap, it is a typical example of the Chopinesque encompassing slur). This is how it must have been interpreted by the copyist in [FC] and, on the basis thereof, by the engraver of FE (→EE).

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category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Embracing slurs

notation: Slurs

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2