Page: 
Source: 
p. 6, b. 91-105
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 93-94

In the sources we encounter a few inaccuracies and differences in the notation of accidentals in the chromatic sequence:

  • Before the last octave in bar 93 in A is present only to the top note, which was supplemented by GE and FE (→EE).
  • Before the 1st octave in bar 94 Chopin wrote in A a cautionary  to the top note (b1). GE added a mark also to the bottom note. In FE there is no accidental before this octave, yet EE contains both flats.

In addition, the deletions visible in A allow us to conclude that the 2nd R.H. quaver in bar 93 was initially written as c1-c2.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors in FE, Accidentals in different octaves, Corrections in A, GE revisions, Cautionary accidentals, Deletions in A, Enharmonic corrections, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2