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p. 5, b. 76-90
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1 together with d
As in bar 78 and 82, moving the last bottom voice quaver between the 2nd and the 3rd notes of the triplet in the top voice was an arbitrary decision by the engraver of GE. In the discussed bar this version of notation – contrary to A – was also used in FE, which is, according to us, an arbitrary revision as well. In EE the Chopinesque notation was guessed probably on the basis of comparison with bar 78 and 82. Similarly, bar 167 and 169.
category imprint: Differences between sources
issues: EE revisions, GE revisions, FE revisions
notation: Rhythm
Missing markers on sources:
A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2