mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 5, b. 76-90
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 77-82

In A (→FE1) there are no flats restoring d3 in bar 77 (5th quaver) and e3 and e2 in bar 78 and 82 (2nd quaver from the final triplet in the top voice). These patent inaccuracies, typical of Chopin, were corrected in GE and FE2 (→EE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration, GE revisions, Authentic corrections of FE, Errors repeated in FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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