Page: 
Source: 
p. 1, b. 1-20
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 10

c1-a1 in A (→GE), as well as FE1 (contextual interpretation) & FEJ (1st stage of corrections)

c1-c2 in FE2 (→EE1)

c1-a1c2 tied in FEJ (2nd stage of corrections)

c1-e1-a1c2 tied in FES & EE2

Possible interpretation of notation of FES

For the 3rd crotchet in the bar we choose the unquestionable A version (→GE). The same version, although written down with errors, is to be seen in FE1. The mistakes were corrected in FE2, yet, according to us, another mistake was committed in the act – the topmost note was changed from a1 to c2. The erroneous FE2 version was subject to further corrections and changes in the preserved teaching copies. In some respects, interpretation of these additions is problematic, particularly in the case of the FES entries, where we suggest two possible interpretations.
According to us, the tie to c2 present in both copies is of technical and pedagogical nature, as it facilitates the performance of the broad chord on the 4th beat of the bar.
The presence of the FES version in EE2 suggests that the edition was co-revised by a person who had access to FES.

Learn more »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, Errors resulting from corrections, Terzverschreibung error, Annotations in FES, Authentic corrections of FE, Authentic post-publication changes and variants, Annotations in FEJ, FE revisions

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2