Page: 
Source: 
p. 8, b. 101-122
p. 1
p. 2
p. 3, b. 1-16
p. 4, b. 17-42
p. 5, b. 43-63
p. 6, b. 64-80
p. 7, b. 81-100
p. 8, b. 101-122
p. 9, b. 123-146
p. 10, b. 147-166
p. 11, b. 167-185
p. 12, b. 186-212
p. 13, b. 213-234
p. 14, b. 235-253
p. 15, b. 254-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
p. 19
p. 20
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph

Original in: Biblioteka Narodowa, Warsaw


  b. 116

2 long accents in A (→GE)

in FE (→EE)

As in bars 110-114, the longer  mark in FE may be authentic, added by Chopin to [FC] or at the stage of proofreading FE1. According to us, it is, however, unlikely that Chopin would have replaced the two accents visible in A with it, since the latter was probably added as part of corrections and additions after [FC] had been finished. This is indicated by the fact that the second accent is absent in FE in each of the two subsequent bars, which most probably means that Chopin added them to A later. Therefore, in the main text we give the A (→GE) version, probably resulting from Chopin's correction; a correction going beyond the one that found its way to FE at the composer's initiative.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2