mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 16, b. 272-293
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 276-282

Half-bar-long  in A

Longer  in GE & EE2

No signs in FE (→EE1)

As in analogous bars 109-115, the  hairpins in bar 276, 278, 280 and 282 were almost certainly added by Chopin to A after [FC] had been finished (→FE→EE1). The range of particular marks differs slightly, yet in GE the hairpin begins under the first octave, which cannot be justified. In this form it was then added by EE2.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Inaccuracies in GE, Scope of dynamic hairpins, Corrections in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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