mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 7, b. 106-126
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 122

e-e1 in A (→GE) & EE2

e in FE (→EE1)

The FE (→EE1) version resulted from Chopin's correction – the traces of removal of e1 are visible in FE (among the copies presented in our system, most clearly in FE2). In EE2 the note was restored, most probably after comparing it with GE1. In Chopin's pieces there are many examples of chords in the middle or high register with both tripled and quadrupled bass.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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