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Source: 
p. 6, b. 91-105
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 91-92

In A a few necessary accidentals are missing, which, however, does not make the text ambiguous. All the overlooked accidentals are naturals – in the R.H. before the 6th, 11th and 12th quavers in bar 91 (d3b2 and d4) and in the 2nd and 3rd triplets in bar 92 (b2d2, b1d1) as well as in the L.H. part before the 4th chord in bar 91 (bd2). In FE1 it was only the L.H. naturals that were added – Chopin could have done it while adding the arpeggios. FE2 added all the R.H. naturals except the first one. GE and EE include all necessary accidentals.  

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, Authentic corrections of FE, FE revisions, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2