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p. 4, b. 61-75
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 67

G1 in A (→FE), literal reading

G1 in GE & EE2

G1 in EE1

G1 suggested by the editors

The missing accidental to the 12th semiquaver formally means that it is a G1. However, in similar contexts, Chopin would often consider the accidentals to the same note in a different octave in a given bar to still be valid. Taking into account the 4th semiquaver, G, the discussed note should rather be deemed G1. The revisers of GE and EE1 differed on this issue; the change introduced by EE2 could have been inspired by the GE1 text.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Accidentals in different octaves, GE revisions, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2