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Source: 
p. 3, b. 43-60
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 47-59

Crotchets in A

Quavers in GE

Quavers (in b. 48 & 50 dotted) in FE (→EE)

In bars 47-50 and 58-59 in the main text we keep the unquestionable A notation, in which the 2nd quaver in the bar is extended to a crotchet with an additional stem, pointing upwards. These stems having been led to the top quaver beam in the editions most probably resulted from a misunderstanding of the A notation. The augmentation dots to these quavers in bar 48 and 50 could be a consequence of Chopin's ad hoc proofreading, performed only in these 2 bars, aimed to extend the second quavers in these bars in a simplified manner (without removing fragments of stems), which is required by strict notation to hold them until the following minims. 

See b. 45

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, FE revisions

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2