Page: 
Source: 
p. 1, b. 1-20
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 7

In FCs the 1st crotchet in the bar is written as an E with an 8 marking the bottom octave (E1). Taking into account the fact that octave doublings are marked neither in bars 5-6 nor 1-2, one could assume the 8 marking in this place to be a cue that an octave is supposed to appear only just here, which, according to us, is highly unlikely – see the note on bars 1-7. Perhaps this 8 means that the octave is to be played by left hand only, which would explain the different notation compared with the previous bars, in which the octaves were supposed to be played by both hands. However, it is most likely an irrelevant inconsistency resulting from poorly thought-out and sketchy notation.

Compare the passage in the sources»

category imprint: Source & stylistic information

issues:

notation: Pitch

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2