mUltimate Chopin

Op. 49, Fantaisie in F minor

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b. 186

composition: Op. 49, Fantaisie in F minor

mid-bar in A (→GE)

 under B in FE (→EE)
..

As in bar 184, both positions of the  mark present in the sources may be authentic, hence we suggest considering the FE pedal, starting earlier, to be a potentially Chopinesque variant.

category imprint: Differences between sources

b. 186

composition: Op. 49, Fantaisie in F minor

B tied in A, FE (→EE) & GE2

B repeated in GE1
..

The missing first tie to B must be a mistake, corrected in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 187-188

composition: Op. 49, Fantaisie in F minor

  in b. 188 in A & GE2

 in b. 188 in GE1

  in b. 187 in FE (→EE)
..

The difference in the pedalling between A and FE does not seem to be accidental – both versions can be musically justified, while the difference is audibly perceptible and gives this transition a different expressive mood, which suggests that both are authentic. For example, Chopin could have been adding pedal markings independently to A and to [FC] or while proofreading FE1. In the main text we give the markings of the principal source, that is A, while the FE version can be considered an equal variant.
The absence of  in GE1 is most probably an oversight (the  mark in bar 198 and the pedal markings in bars 199-200 were also overlooked), corrected in GE2.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE , GE revisions

b. 187-188

composition: Op. 49, Fantaisie in F minor

in A (→GE) & EE2

No sign in FE (→EE1)
..

The  hairpin was probably added to A after [FC] had been finished (probably together with slentando). In EE2 the mark – slightly shorter – was added on the basis of GE1.

category imprint: Differences between sources; Corrections & alterations

b. 187-188

composition: Op. 49, Fantaisie in F minor

..

In A the L.H. figure starting in the 2nd half of bar 187 was initially written on the bottom stave (in treble clef). The motif started with – analogously to the previous ones – a fifth, without the g1 third.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes