Pitch
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b. 142
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composition: Op. 49, Fantaisie in F minor
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In A and FE1 there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 143
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composition: Op. 49, Fantaisie in F minor
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In the 2nd half of the bar, the initial A version was an A-a crotchet and a crotchet rest. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 144-146
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composition: Op. 49, Fantaisie in F minor
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In the 2nd half of bar 144 and 146 there are no accidentals in A. Chopin was generally convinced that notes written at the same pitch do not require repeating accidentals regardless of the presence of an octave sign. The then contemporary rules were not fully established yet, which is proven by the fact that the notation was left unchanged in FE1. Eventually, however, both FE2 (→EE) and GE added all accidentals. Similarly, in further such passages. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 144
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composition: Op. 49, Fantaisie in F minor
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In A and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 145
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composition: Op. 49, Fantaisie in F minor category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
to the bottommost note of the last R.H. chord. The patent oversight was corrected in 
to the dotted crotchet in the middle of the bar (f
2). Chopin's patent oversight was corrected in