Page: 
Source: 
p. 4, b. 113-147
p. 1, b. 1-36
p. 2, b. 37-74
p. 3, b. 75-112
p. 4, b. 113-147
Main text
Main text
PE - Polish edition
PE1 - First Polish edition
PE2 - Revised impression of PE1
PE3 - Corrected impression of PE2
PE4 - Revised impression of PE3
GE - German edition
GE1 - First German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
PE - Polish edition
PE1 - First Polish edition
PE2 - Revised impression of PE1
PE3 - Corrected impression of PE2
PE4 - Revised impression of PE3
GE - German edition
GE1 - First German edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 143

Notation in PE1 (→PE2) & PE4

Notation in PE3

Notation in GE

The notation of PE1 (→PE2), which is devoid of the 1st beat of the bar on the top stave, although formally inaccurate, could be authentic, since Chopin would often omit rests specifying the voice scheme or filling the bar in quasi-polyphonic notation (e.g. in the R.H. in bars 117-119). Therefore, in the main text we leave it unchanged, since it seems unlikely that it could mislead the performers. In GE the bar on the top stave was completed by replacing 2 crotchet rests with a semibreve rest. An interesting yet rather unfortunate attempt at correcting the initial version of notation was made in PE3 by adding an additional stem to the bottom note of the octave, E1. This addition was removed in PE4, thus restoring the version of PE1.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Inaccuracies in PE, Revisions in #PE

notation: Rhythm

Missing markers on sources: PE1, PE2, PE3, PE4, GE1