Page: 
Source: 
p. 2, b. 26-52
p. 1, b. 1-25
p. 2, b. 26-52
p. 3, b. 53-80
p. 4, b. 81-111
p. 5, b. 112-139
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FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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  b. 31

Notation in FC

FE (→EE)

GE

Crotchets at the beginning of the bar probably resulted from a correction in print, most probably from the FC version. The latter is, however, misleading – one can get the impression that the bar includes 5 crotchets. The two-part writing specifying the rhythm was introduced in GE. The simplified rhythmic notation is accompanied in FE with the pedalling (see the note below), which, consequently, produces a very similar sound effect to the FC version. It proves that Chopin either changed the rhythm notation himself or accepted it through the addition of pedalling. Due to the above, we provide this version in the main text, simpler in terms of notation and more pianistically natural.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions, Authentic corrections of FE, Inaccuracies in FC

notation: Rhythm

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1