Page: 
Source: 
p. 1, b. 1-25
p. 1, b. 1-25
p. 2, b. 26-52
p. 3, b. 53-80
p. 4, b. 81-111
p. 5, b. 112-139
Main text
Main text
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 3-4

In bar 3 all sources feature a completely unjustified  (cautionary?) to the first G note. In FC a respective  was also added in bar 4 (in pencil). We do not consider this accidental to be part of FC, since it was added by the reviser of GE. In addition to GE, the latter was also added in EE. In the main text we omit both accidentals.

The sharp in bar 3 must have been entered into [A] by Chopin. According to us, it could be an echo of the initial notation of bars 1-2, in which the top R.H. minim was written down as g1.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues: EE revisions, GE revisions, Cautionary accidentals, Enharmonic corrections

notation: Pitch

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1