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Issues : Authentic corrections of FE
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b. 35-38
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composition: Op. 30 No. 4, Mazurka in C# minor
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In these bars the pedalling in FC was added by Chopin. As it is also present in FE, Chopin most probably added it later also while proofreading FE. In this entire theme (bars 33-64) the pedalling in the basis for FC, that is [A], was marked only in 4 bars – bars 33-34 and 39-40. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 41
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composition: Op. 30 No. 4, Mazurka in C# minor
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The in tempo indication was most probably added as part of the Chopinesque proofreading of FE. There is a similar situation in bar 57. The change of the preposition from in to a was an arbitrary decision of the engraver/reviser of EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 46-48
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composition: Op. 30 No. 4, Mazurka in C# minor
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Such differences, sometimes significant, in the notation of pedal release can be found in Chopin's pieces a few times, mainly in the context of dissonant melodic elements overlapping the dying sound of the bass note, e.g. in the Barcarolle, Op. 60, bar 115 or in the Prelude in C category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 49-52
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composition: Op. 30 No. 4, Mazurka in C# minor
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The pedalling in bars 49-52 and further on (to bar 61) in FC was added by Chopin. Therefore, the composer must have also added it while proofreading FE. category imprint: Source & stylistic information issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 55-57
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composition: Op. 30 No. 4, Mazurka in C# minor
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The category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
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