|
b. 80
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
The fingering digit in FC could have been added by Chopin; however, according to us, it cannot be said with certainty, since both Chopin and Fontana wrote similar digits in terms of shape. category imprint: Differences between sources |
|||
|
b. 80
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
We reproduce the grace note in the version of the principal source, that is FC. It certainly corresponds to the performance intended by Chopin, regardless of the kind of notation he used, since he often did not pay great attention to the notation of grace notes, particularly in such obvious situations. category imprint: Differences between sources issues: Inaccuracies in FE |
|||
|
b. 81-84
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
There are no reasons to doubt the authenticity of stretto - -, which was most probably added in the stage of proofreading FE or to the basis thereof – Chopin most probably added it together with the following cresc. - -, which he also entered into FC. Therefore, we include it in the main text. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||
|
b. 82
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
We add a cautionary category imprint: Differences between sources; Editorial revisions |
|||
|
b. 85-88
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
The cresc. - - - indication was entered into FC by Chopin; therefore, it was most probably also added in the stage of proofreading FE or to the basis thereof. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FC |
in 
in 
before b1 in the main text. The accidental written by the revisor into