Page: 
Source: 
p. 1, b. 1-30
p. 1, b. 1-30
p. 2, b. 31-66
p. 3, b. 67-95
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Main text
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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  b. 17-19

 to f2-a2 in FC (→GE)

 to a2-c3 in FE (→EE)

The differences in the range of the  hairpin could be stemming from the notation of [A] – Chopin would often write these marks inaccurately, with arms of different length. A comparison of both sources controlled by Chopin in both analogous places (here and in bars 87-89) reveals three different kinds of range, out of which one occurs twice, in FE in bars 17-19 and in FC in bars 87-89. Taking into account the fact that a mark provided with such range can be found in both places and both sources, we consider it to be most representative and give it in the main text.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins, Authentic corrections of FE, Authentic corrections of FC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1